Manifesto
What I'm trying to do
You cared about what you cared about for one specific reason. And now you don't. And you can't unsee it. — The Overview Effect
I want to make films that earn the attention twice. Once while you're watching, and once a couple of days later when something from the story comes back and rearranges the day. Stories built with enough specificity and care that the perspective shift happens on its own.
How I got here
I came to film from business. A decade running transport and construction companies. Hit the ceiling that money doesn't solve.
My production company became the home for everything I've made since. Each film tighter on the mission than the last. The work continues.
How I work
The four questions get asked before pre-production: who is this for, how do they hear about it, what's the recoupment path, what could kill it. Soft answers mean the film hasn't been thought through yet.
Cast first. Without recognizable faces, the international sales door doesn't open. With them, a smaller film can travel. This is exactly the approach behind Lookout, our next feature in pre-production for a summer 2026 shoot.
Lean production. AI tools in pre-vis, marketing tests, casting comps. Not as a brand position. Just to make better films cheaper.